Showing posts with label Buddhism. Show all posts
Showing posts with label Buddhism. Show all posts

Saturday, March 31, 2012

Love of Ci'an (Reposted Poem with Poet's Comments)

poet's foreword: After my recent entries about the primarily Buddhist goddess, Kwan Yin (Quan Yin) it reminded me of this poem originally from 2005).`~~TK 

Love of Ci'an

by Tim Kavi


gentle breezes
flew from
Kunming's
frozen lake

I walked it
with my love
near Cixi's place

Then I heard
her gentle sighs
in the full light
of winter's surprise

where
in the hall of 
the Buddhas 
near a
Temple of Incense

your heart
was fully seen
in the ghostly sheen

mist of
winter morn
I heard
your whispers
to a future unborn

for in the
plans of Cixi
you were
overlooked 
love was but a dream

wafting
in the smoke
and carried
throughout
eternity

yet it
warmed
my cold hands
with the gloves
you bought

across
the Great Wall
flying
to the Deserts
of Dunhuang

as beautiful
as Guan Yin

the wind
that blew between
us and brought
me to your wings

to your lips
two countries
two hearts

that had
now evolved
to mix together
yet now lived
so far apart

found
each other
in that first
destiny's kiss

but was 
too soon departed


and in that mix
of winter's day
I heard the crying of Ci'an
broken hearted


scheming deceit
would bring the Emperor
at long last
a piteous son


so I walked
and you followed
down the steps
history there was undone.


Poet's Comments: .

Buddhist and Chinese themes: this poem mentions the Caves of Dunhuang (where sacred Buddhist cave drawings are near where the Goddess Guan Yin encountered the Monkey King). Guan Yin the Bodhisattva or Buddhist Goddess of Compassion is mentioned in the poem as well. The setting of the poem is in China at The Summer Palace in Beijing. Kunming Lake is there, and I did walk on the frozen lake in the Winter of 2005. Later that day, I also had the pleasure of touring the grounds of the Summer Palace, including the Long Corridor and at the very highest point, the Buddhist Temple of Incense. This was in part, a building with a very large Buddha in it and many other Buddhas lined the walls of that place.

The Summer Palace was one of the residences of the Emperor and Empress. As the Qing Dynasty ended in 1908, the last major empress to live there was Cixi who supplanted Ci'an. Cixi was a powerful empress, some would consider a despot and villain, others see her as very intelligent and highly political. Ci'an was the main consort of the Emperor until Cixi became the predominant one and bore the Emperor his only son. Where Ci'an was quiet, loyal, and an Empress known for meekness, Cixi was very much her opposite, skillful and manipulative, and ruling whatever she could with a conniving and mighty fist. Although an Empress was never allowed to make political suggestions, Cixi often did so from behind a curtain. Cixi became the main Empress, especially after the sudden death of Ci'an. Some believe that Ci'an was poisoned by Cixi because Ci'an had always been in excellent health until the day of her untimely death.

In this poem there is some encounter with a presence or ghostlike figure, such as Ci'an. Ci'an, who feels overlooked, is longing for love. Her spirit is felt by the foreigner who even comes from a distant land. Like incense, her symbolic nature as part of history spreads out over the Great Wall and then all the way to the Dunhuang caves (which is out along the Silk Road and near Mongolia) where she is like the goddess. As a counterpoint there is an outplaying of this tension between two cross cultural lovers as they are finding each other in love --shown in other verses of this poem. Obviously, some of the verses in the poem are between the two lovers themselves as they find themselves in this historical place, or perhaps, there is an encounter of a man with the ghost of Ci'an! ---- T.K.

Wednesday, March 28, 2012

More About Goddesses: Kwan Yin--The Compassionate Goddess (Essay)


The Goddess Kwan Yin, the Goddess of Compassion
by Tim Kavi

 

With her origins still being debated over, we can at least attest that Kwan means to inquire deeply and that Yin means to cry. This goddess is shown in many forms, but they all show her unique compassion and mercy. Many times you can see Kwan Yin as a slender woman in flowing white robes carrying a white lotus in her left hand which is a representation of purity and the ideal of womanhood. She might also be seen wearing ornaments to show her stature, or without them to show how modest she is.

Kwan Yin is also known as a “bringer of children”. Because of this, many images of her can be seen in homes and temples. In these instances, a large white veil will be covering her whole body and she could be seated on a lotus, rather than carrying one. Instead, a child will be in her arms, or the child will be seated near her. Sometimes you can see her with several children at once, which she is then known to be the “white-robed honored one”.

 Many times you will see Kwan Yin with several hands, heads and eyes, plus a thousand arms. In the palms of each of her hands there will sometimes be an eye. This symbolizes her as the omnipresent “Divine Mother” being able to see in all directions at once and therefore all the problems of humanity. In this image she reaches out to everyone with her extreme compassion and mercy to help console all. Her name is also spelled Quan Yin, or Kuan Yin, and some scholars say that she is foreshadowed by, or is identical to an earlier deity named Avalokitasvara.

Sunday, September 28, 2008

Two New Poems from the Online Poetry Show: (Variations on a Theme of Orpheus and Stone Buddha)



Poet's note: as per my prior blog entry, these two poems were part of the recent online Poetry Show exhibited by my friend and fellow poet, Rory. These were previously unpublished and are considered NEW poems. Enjoy! -- T. K. About the photo: The Buddha image above and the poem "Stone Buddha" are both inspired by Samuel Fuller's film, "The Steel Helmet (1951)". You should readily see that the film influenced the poem as you see the film.~~TK

Variations on a Theme of Orpheus
by Tim Kavi


moonlit night
foggy breezes
beasts of the wood
melodies of
Orpheus always pleases

across the river
in a dark place
turned away
from Eurydyce's face

tears flow
on this last time
such sad longing
missing the beloved
wife's belonging
by his side
she was
the gentle bride

she is
passioned and gone
he sighs
hopefully in destiny's
dark design

there is a returning

notes rising
to the heavens
as goddesses
take flight
birds uprising

heaven is silent
instructed in woe
descending below
turned away
by the dark foe

Orpheus keeps playing
captured by hope
that his notes
are delaying
destiny's defraying

of his continual
mourning
bringing comfort
to the masses

these are the ways
of the passioned
artist
always comforting
others
from his own place
of veiled
loneliness darkest

playing to the
audience
while Rome burns
or armies
wait in the wings
or his heart
trembles
dance! sing!
jovial things!

filling the air
with notes
sweet ministry

twilight says
night is coming
death the final
post

together finally
with Eurydyce's
now, happy ghost!

This poem is reprinted with permission from my publisher TiLu Press, and also appears in my collection Ascending Goddess. You can read this poem along with many more in that collection by clicking here to purchase the book! Thanks for supporting my work!~~TK


"Stone Buddha"
by Tim Kavi


up on
the narrow
ridge

there is
what was
once
a contested
bridge

enclosed
in stone
fruited plains
in the valley below


a shrine
still sits
where
corpses line the way

the light
still shines
through

follow the path
up to the
light for
it ever shines
bright

blind ones
receive their
sight

when the
fragrance
of the blossoms
meets
the morning
dew

the troubled
ones'
troubles
are few

if they
continue
to the light

broken paths
stones
overturned
such

places
are not
earned
or won

grace's
appearing
is in the
clearing

where the
stone
Buddha
sits.

Tuesday, February 12, 2008

a reader asks?

A Reader Asks About the Poem 'longing'

Upon reading one of my poems ("longing"), a reader asked a question--

"longing"

longing to kiss you and hold you
ever to stand
against the long wind
we will always stand together
our hearts beat together as one.

gentle breath of the goddess
you seek me out and shine
when in the eternal recurrence divine
you make me glad to be thine.

longing to see you and behold
your gentle saving grace
I see you face to face
in the sacred place.

there is no shadow of retreat
only the openness
where all is known
truly met by you, my sweet.

Reader "Winter" wrote:

Hi,Tim Kavi, I'm glad again to meet with your poem. and you spoke of Kwan yin, is she a statue in Buddhism? You regard women as Kwan yin. It seems that Kwan yin, inyour heart, is very holy,I think.

"your gentle saving grace",in this sentence,"saving" means "besides"?Have a nice week Winter:)

Hi Winter:

Thank you. yes this poetic form is an encounter with the archetypal feminine--captured perhaps by Kuan Yin and Ma Durga-- it is a poem to the goddess--something which is part of the sacred feminine--I believe the anima that Carl Jung spoke of--and all women (and men to an extent) have it.

oh, yes, there are statues of her in Buddhism as Avalokiteshvara, and she is mentioned in the tale of the Monkey King as well.

you asked: "your gentle saving grace",in this sentence,"saving" means "besides"? my usage of "saving" here means to be rescued, or to be saved from danger or peril, perhaps from a corrupt masculine nature. To be made safe from is what saving means. There is also a Christian notion of redemption in saving as an act of salvation, but that usage is not what I meant in a complete sense, but it captures it a bit.

I do believe that all men are wise to know the importance of women and that their folly may indeed be "saved" by the woman's wisdom! heheheheh :-)

Have a happy day!

Tim Kavi