Showing posts with label Hindu Goddess. Show all posts
Showing posts with label Hindu Goddess. Show all posts

Wednesday, September 3, 2025

MORE ABOUT GODDESSES: Kali and Artemis Contrasted: Fierce Protectors of Their Daughters (New Essay)


MO
RE ABOUT GODDESSES: Kali and Artemis Contrasted: Fierce Protectors of Their Daughters (New Essay) by Tim Kavi

In the mythological landscapes of ancient India and Greece, two formidable goddesses emerge as fierce protectors—Kali and Artemis. Though they arise from vastly different cultural contexts, both embody primal, protective power and the unyielding love of a mother or sister figure toward vulnerable femininity. Whether severing heads or unleashing arrows, Kali and Artemis are united in their guardianship of women, particularly daughters—whether literal or symbolic.

Kali, a fearsome Hindu goddess often depicted with a garland of skulls and a tongue dripping with blood, embodies divine wrath and maternal ferocity. Emerging in texts like the Devi Mahatmya and Kalika Purana, Kali is not simply a destroyer; she is a protector of righteousness (dharma), annihilating demons that threaten the cosmic order. But her most intimate and emotional portrayals are as the mother who defends her children—particularly her spiritual daughters, women who embody or seek liberation (moksha). In the Chandi Path, when the gods are overrun by the demon Raktabija, Kali is called upon because only she can protect the divine feminine from desecration. In these moments, she becomes the ultimate maternal warrior—not gentle, but necessary.

Her protection of daughters extends metaphorically to devotees, especially women seeking empowerment. In Tantric traditions, Kali is not only feared but adored as a guide for women breaking societal boundaries. Her wrath is not chaos but a tool for liberation. She tears down illusions and ego, especially those that oppress feminine power.

Across the seas in ancient Greece, Artemis, the virgin huntress and daughter of Zeus and Leto, holds a different but equally potent archetype. In Homeric hymns and classical myths, Artemis is the protector of young women, midwives, and animals. As kourotrophos (nurturer of the young), Artemis oversees the transition of young women into full womanhood, fiercely guarding their purity and independence. She is not a maternal figure in the way Kali is, but she is more of a sister-goddess, defending the sanctity of female autonomy.

With Artemis, a similar protective instinct turns violent when violated. In the myth of Actaeon, the hunter stumbles upon Artemis bathing—an act of voyeurism—and is transformed into a stag, devoured by his own hounds. In another tale, she demands the sacrifice of Iphigenia to punish Agamemnon for slaying a sacred deer. While brutal, these acts demonstrate Artemis’s strict moral code: to harm her daughters is to incur her wrath.

Where Kali's protection is all-consuming and often cosmic in scale, Artemis's is more socially grounded—focused on boundaries, chastity, and the sacred rites of passage for women. Kali tears through demonic armies; Artemis ensures no man transgresses female space unpunished.

What binds them is their refusal to yield. They are guardians of feminine power—not as passive virtue but as dynamic, dangerous energy. In a world where female safety and autonomy are still contested, Kali and Artemis remind us that to protect daughters may require fierceness, not softness. Their myths endure because they offer not only fearsome warnings but fierce hope—for the right to exist, grow, and be protected in one’s own strength.~~TK

Sunday, October 16, 2016

Faceless Wonder (poem)



Faceless Wonder (New Poem)

by Tim Kavi



to the longed for

to the Goddess

I know not your name
in millenia
throughout space and time
all dimensions

Yours and mine

whether in woman
or in man
whether you call it soul
or anima made manifest
in many faces
and many lands

I long to know you
and adore you just the same

I look up
your face has become
a lotus
beneath you 
You gave birth
to all that is

as the lotus
peels back
souls are in expansion
in every universal breath

I see you
I know your name

it is Lajia Gauri
Lajja Gauri

please allow me
to dance the triumphant dance
as my patience 
is rewarded by your smiling
blissful being!

Thursday, April 14, 2016

More About Goddesses: The Hindu Goddess--Radharani (New Essay)



More About Goddesses: The Hindu Goddess--Radharani
by Tim Kavi

Radharani, also known as Radha, Radhika, or Radhikarani, is considered the original Shakti (goddess) in the Hindu religion, featuring mainly in the Vallabha and Gaudiya Vaihsnava sects.  She is also the primary goddess worshipped in the Nimbarka Samparadaya, a school of thought whose founder Nimbarka stated that Radharani and Krishna combine to form the absolute truth.  Radharani and Krishna are both connected deeply to each other, with the name “Radha Krishna” pertaining to the female and male aspects of God respectively.

Radharani is thought to be so powerful by Gaudiya Vaishnavas that she is the source of Lakshmi, the Hindu goddess of wealth, fortune, and prosperity.

Two Gods Become One

As Radharani had such deep feelings of love toward Krishna, they cannot be separated into two.  Hindu teachings believe that Krishna, while capable of enchanting the entire world, is himself enchanted by Radharani, thus validating the maxim that Radha Krishna is the “supreme goddess” of the world.  Both deities give meaning to each other’s names, and in Vaishnava tradition, Krishna takes the form of Radharani when he wants to find pleasure outside his own being.  The two deities’ spiritual love for each other is a widely-held theme across India.

Even when the two gods are separated from each other, both Radharani and Krishna share the same thoughts, an example of parakiya-rasa, or a relationship based on undying mental love for each other. This is especially held true in the Gaudiya school of Vaishnavism.

25 Principal Transcendental Qualities

All in all, Radharani has unlimited transcendental qualities, but it is only 25 of these qualities that are considered to be principal. This makes her, once again, the same as Lord Krishna in the sense that her transcendental qualities are unlimited.

Some of the more notable principal qualities are that Radharani always maintains a fresh, youthful appearance; has a bright smile; is capable of making Krishna happy with the aroma of her body; is a good singer and speaker; has a good sense of humor; exudes humility; shows mercy; always shows respect; shows calmness; enjoys life; is located at the top level of ecstatic love; shows kindness to the elderly; keeps Krishna under her control.

Radharani and Krishna

Though it has been emphasized throughout the centuries that Radharani and Krishna are inseparable and, for many, considered one deity, the two have never actually married. There is a sense of duty for a man to a woman and vice versa, but the love of Radharani and Krishna for one another goes far beyond that.  There is no duty required in their union, and everything is meant to happen naturally, putting them in paramananda, or the highest and purest form of bliss.

Tuesday, July 2, 2013

Seated Next to You (New Poem)


Seated Next to You
by Tim Kavi

seeing your beauty
finer than what adorns
any mortal face
domestic silver; crystal
china on the quilted
silken covered place

I smiled at You
Goddess
not wanting; daring
to see your eyes
darting like Durga
really deeply caring

frightened; for I
am mortal; with blood
coursing through veins
mind seems only brain
but I know you are More
I have sung your sacred names

so many times
and places before
pilgrims climbed this road
to sit at this table
Table in The Wilderness
Manna to find some abode

seated with You
Goddess
in heavenly places
is to see you gowned
in the majestic celestial
ballroom; angels abound

ministry to You
is my call
I hear your whispered
names.

Sunday, April 28, 2013

Vows (new poem)





Vows (new poem)
by Tim Kavi


some say things
in the heat of passion
or the throes of love
but in the gentle promises
of an everyday love
my vows to you, Goddess
are not broken

I may weep for a night
wail for a season
toss ashes on my head
lie unshaven in sickness
fasting until weak in body
strong in spirit

Yet your voice does not stop
calling me to a deeper place
one that does not judge
or reproach me
except for righteous seeing
and a knowing every thing

some think that only a male (deity)
can see everywhere at once
but there is only a knowing
in your power of self assured
place; the movement of a Goddess
in grace; that some imagine

should not always be
mistaken for the benevolent
mother; but instead are
the callings of one
who seeks to gather in strong
voice; the vows are not weak

so calling, turning
and yearning the shackles enduring
to drop off my hands and feet
turned like phantom keys at once
in the burning
candlelight vows of silence

I read your words
in the light but must wait the
appearing of Furies
to turn the pages in windy visitation
such coolness are your words
modern leaders should take heed

for in the Suvarṇaprabhāsa-sūtra
सुवर्णप्रभासोत्तमसूत्रेन्द्रराज; Sutra of the Golden Light
I need the protection
of Sarasvati, Lakshmi, and Drdha
Earth goddess--please save us from night!
For there is only in the dawning

the candle light
has burned out; but the new day
has come. I speak my vows
with renewed fervor
your voice is still speaking
I must utter this poem

Dear sweet Goddess
lead us home
to your love; and a turning
to each other; be not angry
in my responsbility
my vows must not be broken

to turn to You
with an open heart
to serve others
to help and to heal
to speak a word of kindness
while walking with the Dharma wheel

for I would rather
have a vow of love for my fellow
man and woman
than any vow of disgrace
revenge or hate

for it is the vows
you brought me
when I as a chained one
was never free
but now I walk out of here
at full liberty

and on the distant hill
the lights of home
call me back
to the place I ever will
remain in your love
it is only a graceful meeting

of the vows
of turning to each other
met there
in the words of constant revealing
what is truly between
you and me
in your daily appearing.

Poet's Afterword: Perhaps you are curious about the Golden Light Sutra, a sutra that if read aloud can bring peace in the midst of a violent world, and if believed just a little--could bring great benefit. Here is a link to downloads of the Golden Light Sutra . Also, you can click here to read a article about the benefits of this Mahayana Buddhist text. The sutra, as well as this poem makes reference to several goddesses, notably, Sarasvati (Saraswati) aka Benzaiten. Saraswati, a manifestation of Maa Durga, and re-personified as Benzaiten is an important goddess in both Hinduism and Buddhism. The Asian letters; characters that when written, represent Benzaiten, implies a Goddess that is skillful at discourse (among many other attributes), hence the poem ends with an encounter with the Goddess in "words of constant revealing". The Sutra itself, is highly regarded as an important work in Mahayana Buddhism. ~~TK

Thursday, April 11, 2013

More About Goddesses: The Hindu Goddess Kali (New Essay)



More about Goddesses: The Hindu Goddess Kali
By Tim Kavi
Kali, also known as the Dark Mother, is a ferocious form of the mother goddess which can be quite fearful as well. Those who are devoted to this goddess can form a very deep and intimate bond despite the fearful and intense appearance of this goddess. Kali takes her followers in, assuming the mother role and treating them as her children.

She is one of the first of ten Mahavidyas in the Hindu tradition. Others include Shodashi, Bhuvaneshwari, Tara, Chinnamasta, Bhairavi, Matangi, Dhumavati, Bugala Muki and Kamala. Due to this association, Kali is also known as Adya in her firstborn form. These goddesses represent the ten essential energies that bring about the ten essential insights sought through the main paths of Tantra Yoga. Kali, the first of these goddesses teaches that life seems temporary, but in reality both time and life are endless. Death is merely an illusion that the Kali mantra can be used to overcome. Those that choose to follow this mantra must be willing to give up their attachment to the body. This helps her followers remove the insecurity associated with the first Chakra, or fears located in the primitive brain and brain stem.

Kali is the consort of Lord Shiva, and is often depicted standing on Shiva’s form. Placing her foot on Shiva subdues her anger. Her name translates to “the black one,” referring to the fact that she is an entity that is beyond time. Kali is depicted with black coloring as a contrast to Shiva, symbolizing the time that was created with her manifested in her creation.



The Dark Mother is most well-known for sending the Mother Gauri Shakti to free the other gods from the demonic clutches of Nishumbh and Shumbh when these forces conquered the celestial plane, astral plane and earth, establishing her place as one of the foremost goddesses in Hindu culture.

Poet's Afterword:  At the time of the initial publication of this column in 2013, we are on the eve of the third day of Navratri.  Maa Durga has her nine Avatars during the nine nights of this Hindu festival. On the seventh day of Navratri, it is sometimes viewed as the time of worshiping the Hindu goddess Kali. (In this case, Maa Durga's incarnation as Kali). ~~TK

If you liked this column you will like my eBook Collection, More About Goddesses, even more! You can order it here! Also, don't forget it's simple to view a Kindle ebook on any device with an App (or even in a web browser), the FREE apps for doing so are here.  My kids and I appreciate the support, you see, they need me home, and I'm trying to get there!  Thanks!~~TK

Sunday, December 30, 2012

Now, Speaking the Truth (New Poem)






Now, Speaking the Truth
by Tim Kavi

now, speaking the truth
life has in past times 
seemed easier
and sometimes 
it is so hard;
who can deny it?

yet, as long as there is injustice
as long as there's any hope of love

one cannot be silent
or tears will water the earth
and we must be born
many times in rebirth

gentle Guan Yin
you make me shine with your light
nothing can remain
in a distant night

all is plain
all is bright
revelation is the poetic
sight

there are those so mistreated
although they chant
your love entreated

I am talking about your sisters
Quan Yin
all around the Earth
longing for Freedom
to be treated as persons

they long to be
safe wherever they go
hold them close in your arms
or my tears cannot stop

I am sorry my Goddess
for many of my gender are a disgrace
I can only hope your love
lights this evil place

something must be done
Durga, shine the truth
Kali, try not to be too angry now

I try to hope our history
will end bright
so I write this poem crying

while all around us
Goddess, your sisters are dying

so my pitiful voice
is joined with brothers and sisters
in peace and for peace
who line the streets
Jantar Mantar

our clothes are black
and I say to you in power
we want our Freedom back!

Ma Durga, great mother
Isis, protector of children
save us before too late 
waves of your Goddess face

wash ashore
in the hearts of all
embraced by your grace

now, we speak the truth
we need you more than ever

this guilty Earth
longs to know only You
and the gentle love where

all rest in a peaceful fate.

Wednesday, December 19, 2012

More About Goddesses: Ma Durga (Mahadevi), Warrior Goddess of the Hindu Tradition





More About Goddesses: Ma Durga
By Tim Kavi

Ma Durga, or the Durga mother, is the fierce form of the goddess Devi in the Hindu tradition. She is often associated with Mahadevi, the supreme goddess for her defeat of Mahishasura Mardini the buffalo demon. Ma Durga is frequently portrayed with multiple arms, which can be as many as eighteen in some interpretations. She is also frequently portrayed riding a tiger or lion or using weapons to slay demons as a show of her power. Many portraits relate the story of her victory over Mardini, showing her slaying him or holding off his forces as they attack.

The legend of Ma Durga first appears on the narrative of Devi Mahatmya within the text of the Markandeya Purana. According to legend, Ma Durga was created in the image of a warrior goddess to help fight the asura Mashishasura. The warrior gods were ineffective against this demon because Brahma had blessed Mashishasura with the power to be undefeatable at the hands of man or god. To counteract this magic, Shiva requested that his wife Parvati take on a role where she could take on this demon. While she called upon the priests at Vaikuntha, Shiva tried to hold off Mashishasura and his forces by combining the three lead gods and emitting a beam of light.

Though the gods were defeated, this light reached Parvati at Vaikuntha, alerting the gods here. To save the three worlds, they combined forces to create a new pool of light. From this light rose Ma Durga, the female aspect of Brahman, a lila that emerged from their combined energy and compassion.

As she moved forward to battle Mashishasur, he made the mistake of underestimating her power, thinking that a woman could not possibly defeat him after he had defeated a trinity of gods. To show his strength, he changed forms many times as he rampaged toward Ma Durga, appearing as a buffalo demon, an elephant, a lion and a man. Ma Durga is said to have gracefully defeated each of these forms. In his last charge, Mashishasur returned to his buffalo form, but became trapped between this and the form of a man. Laughing at his predicament, Ma Durga cut him down with her sword, ending the battle and cementing her compassion in the hearts of her followers.

According to some versions of the legend, Ma Durga raised an army to march against Mahishasur as he terrorized heaven and earth. This battle raged on for ten days before she took it upon herself to slay this demon king. As a reward for their good service, Ma Durga rewarded her troops with the knowledge for jewelry-making. Because of this gift, Ma Durga is frequently depicted in art pieces. She is often represented covered in stones and jewels, even in scenes that act out the tale of her decapitating the buffalo demon. This act of bravery and compassion is also worshiped widely in many parts of the Himalayan region and throughout India, especially during the ten day period when the battle was said to have commenced.

Poet's Afterword: The Hindu Goddess Ma Durga is in a number of my poems, and in a couple of blog entries here, she makes major appearances.  A related blog entry on Parvati is here. In one of Ma Durga's manifestations she is quite the warrior goddess (Mahadevi), which seems pertinent to mention, as this is also a theme in other More About Goddess columns that have featured Artemis and Athena  from the Greek tradition. ~~TK  P.S.--I love this song about Ma Durga on my YouTube Page by Krishna Das (I've seen it performed live!). Hope you enjoy!!~~TK


Wednesday, April 18, 2012

More About Goddesses: Parvati, Goddess of Love and Devotion (Essay)


Parvati, Goddess of Love and Devotion
by Tim Kavi

Also known as the daughter of the mountain, the goddess Parvati’s story might indeed be one of the most interesting of goddesses. She was born out of need as the gods need the assistance of the God Shiva. Shiva, however, had holed himself up in a mountain cave of the Himalayas, doing nothing but meditating and performing tapas to mourn the loss of his first love. His heat and energy grew and grew, and he became full of knowledge.

So the goddess Shakti went into his cave, some stories say appearing as a serpent and coiled herself around Shiva to draw out his energy and power so he would father a child, as the gods knew that only a child born of Shiva would be powerful enough to help them. Shakti than birthed herself into the goddess Parvati and her main goal was to win Shiva’s affections.

Even as a child she was deeply in love with him and went to his cave every day to sweep and decorate it with flowers. Shiva, however, never once noticed her, and could not be brought out of his mediations. So she invoked the help of Priti and Rati, who changed the cave into a thing of beauty, and then brought the lord of desire, Kama, to Shiva, but Shiva destroyed him by shooting flames from his third eye.

Having lost the lord of desire, the gods were hopeless of what to do with Shiva. Parvati then took off to go to the woods with nothing, not even clothing, to meditate and learn tapas, until her strength grew to that of Shiva’s and he took notice of her finally and took her as his wife, which also restored Kama back to life.

Other Tim Kavi Content About Parvati: Parvati is mentioned on my blog in at least two additional places. In my poem: Goddess of the Lake and another 'More About Goddesses' Column about Durga Mahadevi .  Enjoy! ~~TK